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WHO

#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## # From Litgo@aol.com Wed Mar 20 01:57:33 1996 Received: from post-office.nevada.edu (post-office.nevada.edu [131.216.1.11]) by mailhost.tcs.tulane.edu (8.6.12/8.5) with ESMTP id TAA46990; Tue, 19 Mar 1996 19:57:29 -0600 From: Litgo@aol.com Received: from emout09.mail.aol.com (emout09.mx.aol.com [198.81.11.24]) by post-office.nevada.edu (8.6.12/8.6.4) with ESMTP id RAA09513 for ; Tue, 19 Mar 1996 17:55:38 -0800 Received: by emout09.mail.aol.com (8.6.12/8.6.12) id UAA03428 for Guitar@nevada.edu; Tue, 19 Mar 1996 20:55:11 -0500 Date: Tue, 19 Mar 1996 20:55:11 -0500 Message-ID: <960319205510_172468360@emout09.mail.aol.com> To: Guitar@nevada.edu Subject: TAB:5:15 by WHO,_THE X-email-warning: As a cautionary note, there have been recent instances of people forging mail addresses. If you have any reason to believe this message is not authentic, please contact the listed sender or System Computing Services at (702) 895-4585. Status: RO 5:15 By The Who >From Quadrophenia, 1973, Polydor Written by Pete Townshend Capo: 3d fret Chords (with capo): G (E5) 355xxx or 3557xx G6 (E6) 375xxx F (D) xx756x or xx3565 F/G (D/E) xx556x C (A) x3555x or x35557 Am/G (F#m) xx755x or 37755x Cmaj7/5 (Amaj7/5) x3543x or Em/G: x35453 Gsus4 (Esus4) 355533 C7 (A7) x38368 or x3555x FII x37x68 or xx756x Bb (G) 653366 Bb6 (G6) 653363 Intro: F/G G7 Cmaj7/5 Am/G |-------------------------------- |--5-5----3-3-----3-3------------ |--------------------------5-5--- |-5-5----5-5-----5-5------5-5---- |-------------------------------- |-------------------------------- Gsus G C Cmaj7 C2 |--------------------------3--------- |----------------5---------5---5---3- |--5-5----4-4----5---------4---4---5- |-5-5----5-5-----5---------5---5---5- |----------------3---------3--------- |------------------------------------ F/G G7 Why should I care? Cmaj7/5 Am/G Why should I care? (Two guitars on record) Guitar 1: Gsus4 G C E---19--17--15--13--12--10--8--7---7-8-8----- B-------------------------------------------- Guitar 2: E-------------------------------------------- B---15--13--12--10--8--7--5--4---5-5--------- (in concert, for one guitar --use a combo of ONLY two of the strings; I've heard it done three different ways -- the e and g strings, the e and b strings and the b and g strings.) E---15--13--12--10--8--7--5--3---7-8-8------- B---15--13--12--10--8--7--5--4---4-5-5------- G---16--14--12--10--9--7--5--2---4-5-5------- G G G C C G---------5-3--|---------------|| D---5-5-3------|--5-5-3--------|| A--------------|--------7-3-5--|| E--------------|---------------|| G G6 G G6 G G6 G G6 Girls of fifteen, sexually knowing F C G G6 G G6 The ushers are sniffing, eau -du-cologning The seats are seductive, celibate sitting Pretty girls digging prettier women C7 FII C7 FII Magically bored on a quiet street corner Free frustration in our minds and our toes Quiet storm water m-my generation Uppers and downers, either way blood flows F Bb6 F Bb Inside outside, leave me alone Inside outside, nowhere is home Inside outside, where have I been F Csus4 G Out of my brain on the five-fifteen F C G Out of my brain on the train F C G Out of my brain on the train A raft in the quarry, slowly sinking Back of a lorry, holy hitching Dreadfully sorry, apple scrumping Born in a war, birthday punching He-man drag in a glittering ballroom Greyly outrageous in my high heeled shoes Tightly undone, know what they're showing Sadly ecstatic that their heroes are news Inside outside Leave me alone Inside outside Nowhere is home Inside outside Where have I been Out of my brain on the five-fifteen Out of my brain on the train Why should I care? Why should I care? ============= Litgo@aol.com







                       


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