SUBLIME

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#

Date: Fri, 28 Feb 1997 17:29:27 -0500
From: Chris Chase 

ùSublime
ùSanteria
										
ùtranscribed & written by chris adkins, edited and posted by
Chris Chase (JamesEarlJ@aol.com)
										 
ùok, the last guy who tabbed this made some mistakes, but at least 
he tried. they have programs for that, i think. anyway,i got 
most of the solo here and other "revisions" (more like a
total rewrite if you ask me), but if you have the audacity
to complain about my work, you can flame my via email to
Chris Chase at the above address. on with tha' tab.

ùthis is obviously a 2- guitar song, but if you have just 
yourself, than start w/ g1, play g2 during the verse and then
switch back for the solo and choruses. for the choruses, you
might want to try to throw in some extra bass notes (by
playing the roots of the chord shape used for the riff) for a
fuller sound if you only have one guitarist. if you are
playing w/ a bassist, don't bother...
										 
ùstd tuning
								 
ùintro- guitar 1- clean elec.- let ring throughout
|----------------------------------------------|
|-----------------------------4----------------|
|----9--------9----(9)\---------5-----5--------|
|--9---9-----9--9-9(9)\-----------6-----6-6----|
|7-------7-7--------7-\-----6-------6-------6--|
|-------------------------4--------------------|
 E5				  Ab

|---------------------------------------------|
|----------5-------(5)/--------7--------------|
|----6-------6---6-(6)/----------8-----8------|
|--6---6-------6----6-/------------9-----9-9--|
|4------------------4-/------9-------9--------|
|--------------------------7------------------|
 Dbm				   B

ùverse- guitar 2- clean elec. hits whole chord on each 
beat and unfret left hand immediately producing a 
quarter-note staccato (choppy) rhythm.
 E        Ab	 Dbm 	    B	
|/ / / / |/ / / / |/ / / / |/ / / / |

ùchorus- guitar 2, using the same strumming method as in
the verse, repeats the following-
 A   B    E   Dbm
|/ / / / |/ / / / |

 -guitar 1 repeats this riff.
 	
e|5-------7--------------------------------|
B|--5-------7-----9------7--------5--------|
G|----6-------8-----9----8------6---6------|
D|----------------------------6-------6----|
A|---------------------6----4-----------4--|

ùsolo- guitar 1 played with guitar 2 playing verse rhythm-
 -this is an approximation, some parts are "iffy" and sound 
decent cuz i filled in the fast parts that i couldn't exactly
transcribe with other notes from the soloing scale that Brad
uses (major penatonic in E).
 for the last part of the chorus before the solo hit an E5
before playing the solo itself. 
 by the way, the end of each line of tab does not mean the
end of the measure...
							     *============*
|------------------------------------------------------------|
|------------------------------------------------------------|
|-----------9-/13-11-9-8--8p6-8-8b9r8--6-4h6p4---------------|
|------9-11------------------------------------6-4-2~-4p2----|
|7-/11---------------------------------------------------h4--|
|------------------------------------------------------------|

							     *=============
|------------------------------------------------------------|
|-----------------4----12b13-14-12---------------------------|
|-----------------4----------------13-11h13p11-9----9--------|
|2-----------2-4---------------------------------11---11-9---|
|--4-----2-4-------------------------------------------------|
|----234-----------------------------------------------------|

===========*
|-----------------------------------9------------9-----------|
|-----------------------------9------9------------9----------|
|-----------------------------11b13---9-11b13------9-11b13r11|
|11-9-------------10-----10----------------------------------|
|-----11-9-7--/11----/11-------------------------------------|
|------------------------------------------------------------|
 
 the first part under the "*====*" i'm unsure about, and the
second part under the "*====*" is definetely wrong, but it 
doesn't sound too bad.

ùoutro- guitar 1, subtituting an E5 for the last part of the 
final chorus, the plays smoothly with a "slowing down" feel-

 Eb5  Db5  B5   A5   B5  E?
|/    /    /    /   |/   /     ~~~ <--w/bar


ùchord shapes used-

fingers-   1 3 3 3 1       1 3 4 2 1 1          1 3 4 2 1 
      E |X-7-9-9-9-7|  Ab |4-6-6-5-4-4|  Dbm |X-4-6-6-5-4|

	   1 3 4 2 1 1   	   1 3 4 2 1 1	      1 3 1
      B |7-9-9-8-7-7|  A  |5-7-7-6-5-5|  E?  |0-7-9-7-X-X|

	
ùthat's all folks, and if you want the lyrics, i have to admit that	
Jeremy "monkey lips" Roswell did get that right, so get `em from him.



|----9--------9----(9)\---------5-----5--------|
|--9---9-----9--9-9(9)\-----------6-----6-6----|
|7-------7-7--------7-\---^@^A^@^@^Á^S^@^@v^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^H^@^Ð^@^@^T^@^@
^A^A^@^A^@^@^B^A^@^@^D^A^@^@^A^@^@^Y^A^@^@%^A^@^@c^A^@^@_^A^@^@'^A^@^@I^A^@^@^B^@^@M^B^@^@ü^B^@^@A^B^@^@y^B^@^@2^C^@^@4^C^@^@p^C^@^@_^C
^@^@¡^C^@^@&^D^@^@e^D^@^@qq^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^H^@^B^Å^PA!^A^B^Ue^D^@^@^Þ^D^@^@^Ï^D^@^@O^D^@^@á^D^@^@^È^D^@^@^^^E^@^@P^E^@^@,^E^@^@'^E^@^@^Ñ^E^@^@^X^F^@^@J^F^@^@W^F^@^@Y^F^@^@S^F
^@^@¯^F^@^@^Í^F^@^@^]^G^@^@N^G^@^@^¿^G^@^@^Í^G^@^@^Ï^G^@^@E^G^@^@^Á^G^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^X^Á^G^@^@$^H^@^@?^H
^@^@f^H^@^@h^H^@^@^Û^H^@^@^Ï^H^@^@O^H^@^@¡^H^@^@^Ë^H^@^@	^@^@^R	^@^@@	^@^@n	^@^@o	^@^@E	^@^@o	^@^@£	^@^@6
^@^@t
^@^@3
^@^@¤
^@^@^@^@K^@^@m^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^Xm^@^@c^@^@A^@^@^Ú^@^@^\^@^@\^@^@o^@^@^Ú^@^@^\
^@^@\
^@^@^
^@^@z
^@^@§
^@^@£
^@^@:^@^@z^@^@§^@^@£^@^@^Á^@^@
^@^@J^@^@S^@^@E^@^@
^P^@^@J^P^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^XJ^P^@^@S^P^@^@^Í^P^@^@E^P^@^@^H^Q^@^@
^Q^@^@"^Q^@^@a^Q^@^@Y^Q^@^@­^Q^@^@_^Q^@^@^É^Q^@^@¡^Q^@^@^Ë^Q^@^@^D^R^@^@^F^R^@^@B^R^@^@~^R^@^@^À^R^@^@_^R^@^@^É^R^@^@¡^R^@^@d^R^@^@6^S^@^@}
^S^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^X}^S^@^@^¿^S^@^@^Á^S^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@^@^B^@^A^@^@^Á^S^@^@(^@^@^A^@^@e^D^@^@^Á^G^@^@m^@^@J^P^@^@}^S^@^@^Á^S^@^@)^@*^@+^@,^@-^@.^@^@0Courier
New^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@D^B^@^@h^A^@^@^@^@^@^@^@
^@^@^@^@^B^@^@^@^D^@^@^@^@^@^@^@^@^@^@^@ ^E^@^@ ^E^@^@^H^G^@^@^H^G^@^@^Å=^@^@D/^@^@D^B^@^@8^D^@^@ ^E^@^@
^E^@^@^H^G^@^@^H^G^@^@^Å=^@^@D/^@^@D^B^@^@8^D^@^@^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@d^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@

ùSublime
ùSanteria
										
ùtranscribed & written by chris adkins, edited and posted by
Chris Chase (JamesEarlJ@aol.com)
										 
ùok, the last guy who tabbed this made some mistakes, but at least 
he tried. they have programs for that, i think. anyway,i got 
most of the solo here and other "revisions" (more like a
total rewrite if you ask me), but if you have the audacity
to complain about my work, you can flame my via email to
Chris Chase at the above address. on with tha' tab.

ùthis is obviously a 2- guitar song, but if you have just 
yourself, than start w/ g1, play g2 during the verse and then
switch back for the solo and choruses. for the choruses, you
might want to try to throw in some extra bass notes (by
playing the roots of the chord shape used for the riff) for a
fuller sound if you only have one guitarist. if you are
playing w/ a bassist, don't bother...
										 
ùstd tuning
								 
ùintro- guitar 1- clean elec.- let ring throughout
|----------------------------------------------|
|-----------------------------4----------------|
|----9--------9----(9)\---------5-----5--------|
|--9---9-----9--9-9(9)\-----------6-----6-6----|
|7-------7-7--------7-\-----6-------6-------6--|
|-------------------------4--------------------|
 E5				  Ab

|---------------------------------------------|
|----------5-------(5)/--------7--------------|
|----6-------6---6-(6)/----------8-----8------|
|--6---6-------6----6-/------------9-----9-9--|
|4------------------4-/------9-------9--------|
|--------------------------7------------------|
 Dbm				   B

ùverse- guitar 2- clean elec. hits whole chord on each 
beat and unfret left hand immediately producing a 
quarter-note staccato (choppy) rhythm.
 E        Ab	 Dbm 	    B	
|/ / / / |/ / / / |/ / / / |/ / / / |

ùchorus- guitar 2, using the same strumming method as in
the verse, repeats the following-
 A   B    E   Dbm
|/ / / / |/ / / / |

 -guitar 1 repeats this riff.
 	
e|5-------7--------------------------------|
B|--5-------7-----9------7--------5--------|
G|----6-------8-----9----8------6---6------|
D|----------------------------6-------6----|
A|---------------------6----4-----------4--|

ùsolo- guitar 1 played with guitar 2 playing verse rhythm-
 -this is an approximation, some parts are "iffy" and sound 
decent cuz i filled in the fast parts that i couldn't exactly
transcribe with other notes from the soloing scale that Brad
uses (major penatonic in E).
 for the last part of the chorus before the solo hit an E5
before playing the solo itself. 
 by the way, the end of each line of tab does not mean the
end of the measure...
							     *============*
|------------------------------------------------------------|
|------------------------------------------------------------|
|-----------9-/13-11-9-8--8p6-8-8b9r8--6-4h6p4---------------|
|------9-11------------------------------------6-4-2~-4p2----|
|7-/11---------------------------------------------------h4--|
|------------------------------------------------------------|

							     *=============
|------------------------------------------------------------|
|-----------------4----12b13-14-12---------------------------|
|-----------------4----------------13-11h13p11-9----9--------|
|2-----------2-4---------------------------------11---11-9---|
|--4-----2-4-------------------------------------------------|
|----234-----------------------------------------------------|

===========*
|-----------------------------------9------------9-----------|
|-----------------------------9------9------------9----------|
|-----------------------------11b13---9-11b13------9-11b13r11|
|11-9-------------10-----10----------------------------------|
|-----11-9-7--/11----/11-------------------------------------|
|------------------------------------------------------------|
 
 the first part under the "*====*" i'm unsure about, and the
second part under the "*====*" is definetely wrong, but it 
doesn't sound too bad.

ùoutro- guitar 1, subtituting an E5 for the last part of the 
final chorus, the plays smoothly with a "slowing down" feel-

 Eb5  Db5  B5   A5   B5  E?
|/    /    /    /   |/   /     ~~~ <--w/bar


ùchord shapes used-

fingers-   1 3 3 3 1       1 3 4 2 1 1          1 3 4 2 1 
      E |X-7-9-9-9-7|  Ab |4-6-6-5-4-4|  Dbm |X-4-6-6-5-4|

	   1 3 4 2 1 1   	   1 3 4 2 1 1	      1 3 1
      B |7-9-9-8-7-7|  A  |5-7-7-6-5-5|  E?  |0-7-9-7-X-X|

	
ùthat's all folks, and if you want the lyrics, i have to admit that	
Jeremy "monkey lips" Roswell did get that right, so get `em from him.