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SMASHING PUMPKINS

#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Tabbed by Brian McCall C'MON - by the Smashing Pumpkins from the self released demo ===== vinyl and Sounds of Turnips G1 and G2 distortion |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |---------2--5----2-5--------2-5------------------- |-12\--0-0------0------0--0-0----6~--5-3-5-3------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-----------------------------0-------------------- |-------2--5----2-5-----0-1-2---1~~---------------- |-0--0-0------0------0--------------5-3-5-3-------- *1 |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------2--5----2-5--------2-5--------------------- |-0--0-0------0------0--0-0----6~--5-3-5-3--------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-----------------------------0-------------------- |-------2--5----2-5-----0-1-2---1~~---------------- |-0--0-0------0------0--------------5-3-5-3-------- *2 |-------------------------------------------------- |-------------------------------------------------- |-------X-2--X-4--------X-2--X-2------------------- |-4--4--X-2--X-4--4--4--X-2--X-2------------------- |-4--4--X-0--X-2--4--4--X-0--X-0------------------- |-2--2------------2--2----------------------------- ^repeat once Back to *1 The do *1 but palm muted. Back to *1 again, then *2 again, then solo over *1. Bass solo *3 |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |---------5----7-5-7----------5----7-5-7----------5 |-5-6-7-7----0--------5-6-7-7----0--------5-6-7-7-- |-------------------------------------------------- |-------------------------------------------------- |-----------------------------------------9--9--9-- |-----------------------------------------9--9--9-- |---7-5-7----------5----7-5-7----------5--7--7--7-- |-0--------5-6-7-7----0--------5-6-7-7----0--0--0-- |-------------------------------------------------- |-------------------------------------------------- |-9--9--9--9--9--9--9--9--9--9--9--9--9------------ |-9--9--9--9--9--9--9--9--9--9--9--9--9------------ |-7--7--7--7--7--7--7--7--7--7--7--7--7------------ |-0--0--0--0--0--0--0--0--0--0--0--0--0------------ |----------------------------------------------------------- |----------------------------------------------------------- |----------------------------------------------------------- |----------------------------------------------------------- |---7-5-7----------5----7-5-7----------5----7-5-7----------5 |-0--------5-6-7-7----0--------5-6-7-7----0--------5-6-7-7-- G1 |--------------------------------------------------------- |-------------------------7fb---------------7fb----------- |---------------------9-9---------------9-9--------------- |---------------------9-9---------------9-9--------------- |---7-5-7----------5--7-7------------5--7-7--------------5 |-0--------5-6-7-7----0-0----5-6-7-7----0-0-----5-6-7-7---... G2 |--------------------------------------------------------- |-------------------------7fb-(hold)--------7fb--r-------- |---------------------9-9---------------9-9--------------- |---------------------9-9---------------9-9--------------- |---7-5-7----------5--7-7---------------7-7--------------- |-0--------5-6-7-7----0-0---------------0-0---------------... |----------------------------------------------------------- |----------------------------------------------------------- |----------------------------------------------------------- |----------------------------------------------------------- |-7-5--------------------7--7-5--------------------7-------- |-----7-6-5-3--3--5--6-6--------7-6-5-3--3--5--6-6--...----- C'MON FROM SOUNDS OF TURNIPS Transcribed by Adam Morris This has got to be the most UNpumpkinesque song I have heard by SP, but it is a GREAT song. Very STPish I reckon. Standard Tuning INTRO is is a relatively slow slide down from the 12th fret on the low E-string Main Riff (Played with strong palm muting later) |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |--------------------------------*----------------------| |-0--0-0--7--10~~--0-7-10~--0--0-0-7h10-6~~-0-0-0-5\3--| Replace this 0 with a 6 each 2nd time played. CHORUS |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |-4--4--4/7-7/9-9-9-\-4--4--7--7--7-7----------------| |-4--4--4/7-7/9-9-9-\-4--4--7--7--7-7----------------| |-2--2--2/5-5/7-7-7-\-2--2--5--5--5-5--0-------------| I can't remember which of these parts comes next in the song, but they are here any way :) There is a solo in here somewhere that I don't know sorry...Randy?? Anyway..the part out of the solo is this: (very similar to the end part of Drown I might add! |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |--7~~~~~~----\2~~~~---/5~~~-----\2~~~~--------------| |----------------------------------------------------| Then this is repeated a fair few times. |----------------------------------------------------| |----------------------------------------------------| |--9\7/9-9-------------------------------------------| |--9\7/9-9---7-8-9-10/12-----------------------------| |--7\5/7-7---7-8-9-10/12-----------------------------| |----------0-5-6-7--8/10--0--------------------------| Then the part that sounds like it is dying. |----------------------------------------------------| |----------------------------------------------------| |--9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9---------| |--9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9-x-9---------| |--7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7---------| |--7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7-x-7---------| Then back to the fast sort of bit above. Then goes to this bit a couple of times. |----------------------------------------------------| |--------7b-(hold) r----------7b-r-------------------| |--9--9-----------------9--9---------7-/-9~~~~~------| |--9--9-----------------9--9-------------------------| |--7--7-----------------7--7-------------------------| |----------------------------------------------------| This leads into the really SNAZZY bit. With lots of palm muting. |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |---7p5-----------------------6----------------------| |--------7p6p5\3-3--0-3-5-6-7------------------------| Then the above riff changes to this slower riff. |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |--------------7-9----------------------------------| |--5--/7--/8-9-5-7----------------------------------| |--3--/5--/6-7--------------------------------------| Apart from the solo and some other lead parts that is the whole song. Corrections can most likely be made. E-mail me comments - Thanks Adam benmo@deakin.edu.au







                       


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