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OCONNOR HAZEL

#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: tim@groovcat.demon.co.uk (Tim Norris)@groovcat.demon.co.uk (Tim Norris) Subject: CRD: Will You - Hazel O'Connor From the movie 'Breaking Glass', a UK hit in 1981 and one of the most honest and genuinely touching 'oh, go on, give us a shag' songs ever written. Or something. -------------------------------------------------------- Will You? Hazel O'Connor Intro: Dm | Dm | Dm | Dm | (arpeggio) Dm F You drink your coffee, Bb C While I sip my tea, Dm F And we're sitting here, playing so cool, Bb A Thinking, 'What will be, will be.' F C And it's getting kind of late now, Dm A Oh, I wonder if you'll stay now, A Stay now, stay now, stay now, Dm F G Dm A Or will you just politely say 'Goodnight'? Dm F I move a little closer to you, Bb C Not knowing quite what to do and I'm Dm F Feeling all fingers and thumbs, Bb A I spill my tea, oh silly me, F C But it's getting kind of late now, Dm A Oh, I wonder if you'll stay now, A Stay now, stay now, stay now, Dm F G Dm A Or will you just politely say 'Goodnight'? F C And then we touch, much too much, Dm A This moment has been waiting for a long, long time, F It makes me shiver, C Makes me quiver, Dm This moment I am so unsure, C This moment I have waited for, Bb Well is it something you've been waiting for, A Waiting for too? Dm Take off your eyes, F Bare your soul, Bb C Gather me to you and make me whole, Dm Tell me your secrets, F Sing me the song, Bb A Sing it to me in the silent dawn. F C But it's getting kind of late now, Dm A Oh, I wonder if you'll stay now, A Stay now, stay now, stay now, Dm F G Dm Or will you just politely say 'Goodnight'? Dm | A | Dm | F | G | Dm | A | Dm the instrumental sort of dies and then there's this flam drum break thing and it all sets off with a thoroughly sexy alto sax solo (played by Wesley McGoogan) which follows the verse/chorus pattern above. Probably.







                       


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