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DANZIG

#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## [two versions] From: "Brett W. McCoy" Subject: TAB: Twist of Cain by Danzig This is my first attempt at tabbing. I picked this song because it was fairly simple (no solo!). Listen to the song to get down the correct timings. Riffs A and C especially have a very bluesy feel to them. Please send any comments or corrections to bmccoy@CapAccess.org ------------------------------------------------------ Twist of Cain from the album Danzig Written by Glenn Danzig Notational Legend: x^y : bend string at fret x to note at fret y r : release from bend x^^^: vibrato (bend string back and forth rapidly) P.H.: pinch harmonic ^ : play sharply / : slide up \\\\: slide down to an indeterminate fret Riff A E-|-------------------------------------|-------------------------------------| B-|-------------------------------------|-------------------------------------| G-|-------------------------------------|-------------------------------------| D-|-------------------------------------|-------------------------------------| A-|--6^7r---0---6---0---3---0---0-------|-7^^^^^--0---6---0---3---0---0-------| E-|-------------------------------------|-------------------------------------| P.H.(1) A(b5) End Riff A E-|-------------------------------------|-------------------------------------| B-|-------------------------------------|-------------------------------------| G-|-------------------------------------|-------------------------------------| D-|-------------------------------------|-----7--------7-------7--------------| A-|--7---7---0---6---0---3---0--0--0----|-----6--------6-------6--------------| E-|-------------------------------------|----(5)------(5)-----(5)-------------| ^(2) ^ ^ Riff B-1 Play 3 Times End Riff B-1 A5 C5 A5 C5 E-|-------------------------------------|-------------------------------------| B-|-------------------------------------|-------------------------------------| G-|-------------------------------------|-------------------------------------| D-|---7--7--7--7/10--10--10--10--10-----|---7--7--7--7/10-10-10-10\\\\\-------| A-|---7--7--7--7/10--10--10--10--10-----|---7--7--7--7/10-10-10-10\\\\\-------| E-|---5--5--5--5/8---10--8---8---8------|---5--5--5--5/8--8--8--10\\\\\-------| PM ------------------------> PM --------------> ^ Riff B-2 End Riff B-2 A5 C5 A(b5) E-|-------------------------------------|-------------------------------------| B-|-------------------------------------|-------------------------------------| G-|-------------------------------------|-------------------------------------| D-|--7--7--7--7/10--10--10--10--10------|----7--------7-------7---------------| A-|--7--7--7--7/10--10--10--10--10------|----6--------6-------6---------------| E-|--5--5--5--5/8---8---8---8---8-------|---(5)------(5)-----(5)--------------| PM ------------------------> ^ ^ ^ Riff C End Riff C A C5 A5 D5 E-|-------------------------------------|-------------------------------------| B-|-------------------------------------|-------------------------------------| G-|---2---------------------------------|----5---5---5---5---2----7----7------| D-|---2-------------------------1-------|----5---5---5---5---2----7----7------| A-|---0-----3---0---------0-----1-------|----3---3---3---3---0----5----5------| E-|------------------3------------------|-------------------------------------| Notes: (1) I'm not sure exactly what John Christ is doing here. There may be an overdubbed tone on this note. You really need lots of distortion to make it squeal. I think a cranked tube amp like a Marshall with a touch of feedback does the trick! (2) I think this actually sounds better just playing the 4th and 5th strings, which is why I put the 6th string note in parentheses. It has a stronger sound to it, since the flatted 5th isn't swallowed up by both the root and octave tones. Song Flow: Riff A 4X Intro Riff B-1 Verse 1 Riff B-2 Riff A 2X Chorus Riff B-1 Verse 2 Riff B-2 Riff A 2X Chorus Riff C 4X Interlude Riff A 2X Chorus Riff B-1 Verse 3 Riff B-2 Riff A 2X Chorus Riff C 8X Outro A5 4X, hold for 6 beats each time to close of song Brett W. McCoy | "Go not to the Elves for counsel, bmccoy@capaccess.org | for they will say Minstrel, Mage, Sage, Wooer of Women, | both no and yes" and General Friend of All Nature... | -- JRR Tolkien TAB: TWIST OF CAIN (Intro) by Danzig ALBUM: DANZIG This is my basic guesse that I did using an acustic guitar. This is my first attempt at play by ear so don't haggle me if it is wrong! Mail Corrections or additons to: azrael@grfn.org -------------------------------------------------------------------- e:---------------------------------------------------------------------------| B:---------------------------------------------------------------------------| G:---------------------------------------------------------------------------| D:--------------------7b----------------7b-----------------------------------| A:--7--0--6--0--3--0-----0--6--0--3--0-----0--6--3--0--6-6-6--7--0--6--0--3--| E:---------------------------------------------------------------------------| e:------------------------| B:------------------------| G:------------------------| D:---7b-----------------7b| Keep repeating until guitar changes on the A:0------0--6--0--3--0----| song. E:------------------------| Twist Of Cain ------------- As recorded by Danzig from the album Danzig I Written by Glenn Danzig Tab by Robert Flemming (rflemmin@ced.berkeley.edu) SongFlow -------- Figure 1 (4x) Figure 2 (3x) Fill 1 Figure 1 (2x) Figure 2 (3x) Fill 1 Figure 1 (2x) Figure 3 (4x) Figure 1 (2x) Figure 2 (3x) Fill 1 Figure 1 (2x) Figure 3 (6x) A A A A A A Figure 1 e+--------------------+---------------+-----------------------------+ B+--------------------+---------------+-----------------------------+ G+--------------------+---------------+--------------------8--8--8--+ D+--------------------+-(AH)----------+--------------------8--8--8--+ A+--6---7-0-6-0-3-0-0-+-7-0-6-0-3-0-0-+-7-7-0-6-0-3-0-0-0--6--6--6--+ E+--------------------+---------------+--------------------6--6--6--+ Figure 2 e+--------------------------+---------------------------+ B+--------------------------+---------------------------+ G+--------------------------+---------------------------+ D+--------------------------+---------------------------+ A+--7--7--7--10-10-10-10-10-+-7--7--7--10-10-10-10------+ E+--5--5--5--8--8--8--8--8--+-5--5--5--8--8--8--8--15\--+ PM-------------------------------------------> Fill 1 e+--------------------------+----------+ B+--------------------------+----------+ G+--------------------------+-8--8--8--+ D+--------------------------+-8--8--8--+ A+--7--7--7--10-10-10-10-10-+-6--6--6--+ E+--5--5--5--8--8--8--8--8--+-6--6--6--+ PM--------------------> Figure 3 1/2 1/2 e+-----------------------+----------------------+ B+-----------------------+----------------------+ G+--2------------------8-+----------------------+ D+--2------------------8-+--------------7--7--7-+ A+--0----3^--0------0--6-+--3--3--3--0--5--5--5-+ E+--------------3^-----6-+----------------------+ /| __ ___ ___ __ |\ ******************************| -- -^ \_/ ^- -- |****************** * morrigu@uclink.berkeley.edu \ ---_ _--- / * * & ----^\| _>_<_ |/^---- Robert Flemming * * rflemmin@ced.berkeley.edu / --- / \ --- \ * ************************************\__/| -^- |\__/************************ \ MMM /







                       


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