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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
АБВГДЕЖЗИКЛМНОПРСТУФХЦЧШЩЭЮЯ


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BEATLES

 
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: hertzberg@netcad.enet.dec.com (Marc Hertzberg (History: Love it or leave it!)) The End (Lennon/McCartney) A D B E -|--5---10----7----12---- -|--5---10----7----12---- -|--2---7-----4----9----- -|--2---7-----4----9----- -|----------------------- -|----------------------- Oh Yeah All Right A Eb dim A -|----------------------------------------------- -|----------------------------------------------- -|----------------------------------------------- -|----------------------------------------------- -|-----------4--5--6--7---8---9----9--7--4------- -|---5-------5--7--8--9--10--11---10--8--5------- Are you gon na be in my dreams to night A7 A D7 D7 -|--0----0------2----2--------- -|--2----2------1----1--------- -|--0----2------2----2--------- -|--2----2------0----0--------- (repeat six times) -|--0----0--------------------- -|----------------------------- Love You Love You The leads: Make sure to change your tone completely from line to line so you sound like three different guys ;^) A7 A D7 -|--------------5-----5--3------------------------------------ -|--5--5--5--5-----5--------3/1-----3--1---------------------- -|-------------------------------2--------2--0---------------- -|------------------------------------------------------------ -|------------------------------------------------------------ -|------------------------------------------------------------ A7 A D7 -|----------------------------------------------------------------------- -|----------------b(13)11--11h13p11-------------------------------------- -|--12h14--12h14---------------------12--12--12-------------------------- -|-----------------------------------------------14--14--12--12---------- -|---------------------------------------------------------------15--12-- -|----------------------------------------------------------------------- A7 A D7 -|--------------------------------------------------------- (this is -|--12--14--14--14--12--14--14--14--12--14--14--14--12----- the best -|--12--14--14--14--12--14--14--14--12--14--14--14--12----- I got for -|--12--14--14--14--12--14--14--14--12--14--14--14--12----- this part! -|--------------------------------------------------------- So sue me!) -|--------------------------------------------------------- A7 A D7 -|--8--8--8--8--------------------------------------------- -|--------------5-----------5--4--5--------------11b(13)--- -|-----------------5-----5-----------14--12--14------------ -|--------------------7------------------------------------ -|--------------------------------------------------------- -|--------------------------------------------------------- A A7 D7 -|------------------------------------------------------------5-- -|--------5--5--------5--5-----5--5-----5--7b(9)r7--5h7p5-------- -|--------5--5--------5--5-----5--5-----5--7b(9)r7--5h7p5-------- -|--7--7--------7--7--------7--------7---------------------7----- -|--------------------------------------------------------------- -|--------------------------------------------------------------- -|--------------------------------------------------------------- -|--------------------------------------------------------------- A A7 D7 -|--------------------------------------------------------------- -|--------------------------------------------------------------- -|--------------------------------------------------------------- -|--------------------------------------------------------------- -|-----------3--5--3--5--3--5--3--b(7)5--5--3--5----------------- -|--0--3--5------------------------------------------------------ A A7 D7 -|------------------------------------------------------------------- -|------------------------------------------------------------------- -|--------------5--5--5--5--------------5--5--5--5------------------- -|--5--5--5--5--------------5--5--5--5--------------7\5-------------- -|-------------------------------------------------------7\5--3--0--- -|------------------------------------------------------------------- A A7 D7 -|-----------------15b(17)--15----------------------------------- -|--5/8--8/10--13---------------13--15--13----------------------- -|--------------------------------------------------------------- -|--------------------------------------------------------------- -|--------------------------------------------------------------- -|--------------------------------------------------------------- A A7 D7 A -|--------------------------------------------------------------- -|-----------7--7--7--7--7--7--7--7--7--7--7--7--5--------------- -|-----------7--7--7--7--7--7--7--7--7--7--7--7--6--------------- (sue me -|-----5--7--7--7--7--7--7--7--7--7--7--7--7--7--7--------------- again!) -|--7------------------------------------------------------------ -|--------------------------------------------------------------- Beatles Tab by Marc Hertzberg Digital Equipment Corporation hertzberg@netcad.enet.dec.com ------------------------------------------------------------------------- Tab Special Notations: ---5/7--- play fret five, slide up to fret seven ---7\5--- play fret seven, slide down to fret five --8b(9)-- play fret eight, bend the string (at fret eight) to reach the pitch of fret nine --b(9)8-- play fret eight already bent to the pitch of fret nine, unbending until it reaches the normal pitch of fret eight ---/7---- slide up to fret 7 (the starting fret of the slide is undefined, judge by ear) ---15\--- play fret 15, slide down (the ending fret of the slide is undefined, judge by ear) ---1h3--- play fret one and hammer-on to fret three ---7p5--- play fret seven and pull-off to fret five -7b(9)r7- play fret seven, bend up to fret nine, release back to fret seven --5h7p5-- play fret five, hammer on to fret seven, pull off to fret five







                       


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