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ALLMAN BROTHERS

#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4) with SMTP id ; Tue, 16 Mar 1993 02:30:22 -0800 Received: from delirius.cs.uiuc.edu by animal-farm.nevada.edu id ; Tue, 16 Mar 1993 02:30:20 -0800 Received: from dubius.cs.uiuc.edu by delirius.cs.uiuc.edu with SMTP id AA06425 (5.64+/IDA-1.3.4 for jamesb@animal-farm.nevada.edu); Tue, 16 Mar 93 04:30:18 -0600 Message-Id: <9303161030.AA06425@delirius.cs.uiuc.edu> Received: by dubius.cs.uiuc.edu.cs.uiuc.edu (4.1/SMI-4.1) id AA26044; Tue, 16 Mar 93 04:30:18 CST To: jamesb@animal-farm.nevada.edu Subject: Tab: "Little Martha" - Allman Brothers Band Date: Tue, 16 Mar 93 04:30:17 CST From: Rajendra Singh Here's tab posted previously but not at the ftp site. Thanx for you work with the site! -raj Newsgroups: rec.music.makers.guitar.tablature From: mongeau@ferrari.nmc.ed.ray.com (Mike Mongeau) Subject: TAB: Little Martha Organization: Equipment Division, Raytheon Company Date: Wed, 16 Dec 92 01:03:52 GMT I was able to restore my tab of Little Martha from backup tapes (thank goodness for backups !). Here it is again. Little Martha by: Duanne Allman Playing notes: This instrumental is played in open E tuning (E B E G# B E). Rather than tuning the 3rd, 4th and 5th strings up (which can be really stressful on the neck), you can tune down to open D (D A D F# A D) and capo at the second fret. The thumb keeps time with a monotonic bass line while the fingers play the melody. The structure of the tune is: 1 - Intro 2 - Part 1 ending with [1.] 3 - Repeat Part 1 ending with [2.] 4 - Part 2 5 - Repeat Part 1 up until [To Coda] 6 - Coda Chords used: numbers in grid indicate frets numbers in parentheses are suggested fingerings (1=index,2=middle,etc) E B E G#B e +-----------+ E 0 0 0 0 0 0 (pretty obvious !) A 5 5 5 5 5 5 (1st finger barre) C#m/E x x 0 8 9 9 (x x 0 2 3 3) C#m/B x 0 x 8 9 9 (x 0 x 2 3 3) A/B x 0 x 5 5 5 (1st finger barre) B x 0 x 7 7 7 (1st finger barre) B7 x 0 x 1 0 2 (x 0 x 1 0 3) E/G# 4 0 0 3 0 0 (3 0 0 1 0 0) F# 2 0 0 1 0 0 (3 0 0 1 0 0) +-----------+ h = hammer on p = pull off 4 2 - or - = time signature 4 4 Timing is as follows: 1 . 2 . 3 . 4 . one & two & three & four & ============================================================================ INTRO: ------ (Freely) 4|------------------+--------------+-----------------------+2+------------| -|-------0-------0--|----------4---|-------0---------------|-|------------| 4|--0--1------------|--0--1----1---|--0--1--------0-1p0----|4|------------| |--0---------2-----|--0--2----2---|--0---------2-------2--| |--0------0--| |--0---------0--0--|--------------|--0------0-------------| |------------| |--0------0--------+-------0------+--0--------------------+ +--0---0-----| ^ ^ ^ (strum) (strum) (strum) PART 1: ------- E 4|--------------0----+-------------------+------------------+-----------------| -|--------0-----0----|----0--------------|--------0---------|-----------------| 4|--0h1---0----------|----0-----1p0------|--0h1---0---------|----1-----0------| |--0h2--------------|----------2p0------|--0h2---------2---|----2-----0------| |-------------------|-------------------|--------------4---|-----------------| |--0---0---0---0----+--0---0---0---0----+--0---0---0---0---+--0---0---0---0--| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . |--------------0----+-------------------+------------------+------------------| |--------0-----0----|----0--------------|--------0---------|------------------| |--0h1---0----------|----0-----1p0------|--0h1---0---------|----0-------------| |--0h2--------------|----------2p0------|--0h2---------2---|----------0-------| |-------------------|-------------------|--------------4---|----0-------------| |--0---0---0---0----+--0---0---0---0----+--0---0---0---0---+--0---0---0---0---| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . A |--------------5----+-------------------+------------------+------------------| |--------5-----5----|----5--------------|--------5---------|----7-----5-------| |--5h6---5----------|----5-----6p5------|--5h6---5---------|----------5-------| |--5h7--------------|----------7p5------|--5h7---------7---|----7-----5-------| |-------------------|-------------------|--------------9---|------------------| |--5---5---5---5----+--5---5---5---5----+--5---5---5---5---+--5---5---5---0---| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . E |--------------0----+-------------------+------------------+------------------| |--------0-----0----|----0--------------|--------0---------|------------------| |--0h1---0----------|----0-----1p0------|--0h1---0---------|----0-------------| |--0h2--------------|----------2p0------|--0h2---------2---|----------0-----0-| |-------------------|-------------------|--------------4---|----0-------------| |--0---0---0---0----+--0---0---0---0----+--0---0---0---0---+--0---0---0---0---| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . [To Coda] C#m/E A/B E C#m/E A/B B7 2|--------------|4|--9-----5-------7--+------7-----7------+--9-----5-----2---| -|--------------|-|--9-----5-------7--|--------7-----7----|--9-----5-----0---| 4|--------------|4|--8-----5-------7--|----7-----7--------|--8-----5-----1---| |--0-----0-----| |--0----------------|-------------------|--0-----5---------| |--------------| |------0-----0------|--0---0---0---0----|------0-----0-----| |--0-----0-----| |-------------------+-------------------+------------------| 1 . 2 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . C#m/E A/B E E/G# F# |------2-----2------|--9-----5-----7----+------7-----7------+----0-----0------| |----0---0-0---0----|--9-----5-----7----|--------7-----7----|------------0----| |-------------------|--8-----5-----7----|----7-----7--------|--3---3-1-----0--| |-------------------|--0----------------|-------------------|-----------------| |--0---0---0---0----|------0-----0------|--0---0---0---0----|-----------------| |-------------------|-------------------+-------------------+--4-----2-----0--| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . [1.] [2.] 2|----------0------| 2|---14-11-12------| -|----------0------| -|------------12---| 4|----------0------| 4|-----------------| |-----------------| |----------0------| |-----------------| |-------------0---| |----4-p0-----0---| |-------0---------| 1 . 2 . 1 . 2 . PART 2: ------- B C#m/B B A/B G C#m/B B A/B |--7-----9-9-7---7--+----5-----5--------+--7-----9-9-7---7--+----5-5----------| |--7-------9-7---7--|----5-------5------|--7-------9-7---7--|----5-5----------| |--7---8---9-7-7-7--|----5---5-----5----|--7---8---8-7-7-7--|----5-5----------| |-------------------|-------------------|-------------------|-----------------| |--0---0---0---0----|--0---0---0---0----|--0---0---0---0----|--0---0---0---0--| |-------------------+-------------------+-------------------+-----------------| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . B C#m/B B A/B B7 A/B B |--7-----9-9-7---7--+----5-----5--------+--2-----5-----7----+------7-----7----| |--7-------9-7---7--|----5-------5------|--0-----5-----7----|--------7-----7--| |--7---8---9-7-7-7--|----5---5-----5----|--1-----5-----7----|----7-----7------| |-------------------|-------------------|-------------------|-----------------| |--0---0---0---0----|--0---0---0---0----|--0---0---0---0----|--0---0---0---0--| |-------------------+-------------------+-------------------+-----------------| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . C#m/B A/B B7 B C#m/B B A/B |--9-----5-----2----+------2-----2------+--7-----9-9-7---7--+---5------5------| |--9-----5-----0----|----0---0-0---0----|--7-------9-7---7--|---5--------5----| |--8-----5-----1----|-------------------|--7---8---9-7-7-7--|---5----5-----5--| |-------------------|-------------------|-------------------|-----------------| |--0---0---0---0----|--0---0---0---0----|--0---0---0---0----|--0---0---0---0--| |-------------------+-------------------+-------------------+-----------------| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . B C#m/B B A/B B C#m/B B A/B |--7-----9-9-7---7--+----5-5------------+--7-----9-9-7---7--+----5-----5------| |--7-------9-7---7--|----5-5------------|--7-------9-7---7--|----5-------5----| |--7---8---9-7-7-7--|----5-5------------|--7---8---9-7-7-7--|----5---5-----5--| |-------------------|-------------------|-------------------|-----------------| |--0---0---0---0----|--0---0---0---0----|--0---0---0---0----|--0---0---0---0--| |-------------------+-------------------+-------------------+-----------------| 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . 1 . 2 . 3 . 4 . E/G# F# |----0-----0--------+2+---------0---------| (Repeat Part 1) |------------0------|-|---------0---------| |--3---3-1-----0----|4|---------0---------| |-------------------| |-------------------| |-------------------| |-------------------| |--4-----2-----0----+ +---4-p0------------| 1 . 2 . 3 . 4 . 1 . 2 . CODA: ----- ( <--------------- natural harmonics -----------------> ) |-------------------+-------------------+--12--------------| |--------7----12----|----7--------------|--12--------------| |--5-----7----12----|----7--------------|--12--------------| |--5-----7----12----|----7--------------|--12--------------| |--5----------------|-------------------|---0--------------| |-------------------+-------------------+---0--------------| ^ ^ ^ ^ ^ (strike sharply with downward stroke) (strum slowly) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ "Saved by the Blues..." Mike Mongeau Raytheon Equipment Division mongeau@tif162.ed.ray.com Marlboro, MA ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~







                       


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